k.yeung writes where diaspora, desire, technology, and memory collide. Working in essay, poem, and autotheoretical hybrid, he practices embodied critique: theory as something lived in the body, felt at the point of contact with systems that prefer to remain invisible.

His work traces the architectures that govern the self—code, migration, ritual, shame, lineage—and the ways they choreograph perception and legibility. Across forms, he asks how we survive being read, how we unlearn the scripts we inherit, and how we build languages to return ourselves to opacity, tenderness, and choice.